Written By: Emir Kusturica
He was not a murderer from Mladenovac born in the time of Dreyfus nor in the time of the construction of the Eiffel Tower. It was not Kecmanovic, the monstrous killer boy from the Primary School" Ribnikar " who grew up in Tunguzia, he was not a student of some school in Rwanda where there are tribal tensions, so it is possible that they kill each other at the MiG of some merchant from England or France, but he grew up in Serbia.
In which Serbia? The one that replaced its authentic historical course for the so-called. quantum jumps, jumps that in the optical world of Željko Mitrović Žeks and the people he represents were something that raised social models to levels that everyone wants to reach. Everyone wants to be rich, everyone wants to be famous, and everyone wants to be visible, which is confirmed through the networks that have given those called nobody to be someone.
In some ways, fortunately, the wit of our people also showed, but in children it was reflected directly through what is available already at the age of 11 - 12. From porn to direct language that makes a completely unprotected young man. In so far as the intellectual camarilla, in which some of my former friends, explained that this murder had nothing to do with television and what people draw their comparative values from.
Of all reality shows, the one that has the most universal value is The Last reality by Žeks Željko Mitrović, which is, in fact, a transfer from television to a real theater space, and takes place in the place where once was a wonderful Cinema "Odeon". For a long time, this cinema was looking for a buyer and found him in the very one, which, like Fellini's model, pushed the scene not only with the Belgrade elite consisting of journalists, their attendants, providers of intellectual services, which later Milomir Maric turns into a relativization of anything they say.
Everyone who came to this show. I didn't see it all, but I did see the elements and the kind of courage it takes when a man makes a bigger move. And a bigger move can be terrible and it can be good. He brought into his God who moved between the guests in that former cinema, now the space for Željko's musicals. One must be brave to bring God among men, and even remove the Echo in his voice as an idea in which at least his voice remains part of some mystique. So the demystified God in the director's manuscript Željko Mitrović looks like Santa Claus. It only lacks New Year's gifts, not the creator we believe in because science could not prove either The Big Bang or anything that takes us back hundreds of millions of years.
Whether science can prove the creation of the world cannot, but scientists who do not believe in God can pronounce what is close to Željko Mitrović, that it is all farting and that everything around that God can be like Yuvel Harari, can be God every man.
This eye of God becomes, as I would say, part of a mystical essence of life, which, when it is naked, then one obtains this Jax, which during some celebration, to prostrate,…
Twenty years ago it would have been a violation of public order and peace, Public Order and peace now do not exist, but there is a huge amount of money I do not know how it was made, probably by advertisements, and by what not, to put God on the stage. God, in the play I have seen, even plays, falls into some rhythm. This leads us again to the thought – God dancing. Whether Jesus Christ danced, it is unknown, there are no traces, but, Jacques does not need traces, Jacques does whatever he wants.
What's the most important thing? Everything we know about God he does with himself. In the grand opening of his palace, or in the celebration of the elite, or as it is called, he walks on water. Truth be told, there are some great bakanjas, and we who do film know that underwater can be divers, they can be practicables to walk on, but it creates the illusion that Jacques is walking on water.
So he does not take outside the sphere of religion, or religious culture, the idea that Jesus Christ walked on the sea, but he walks on the sea. It is he who has the voice of God who has the voice of God. All the attributes of God are taken over by Jax. Jax defies gravity, Jax lives outside gravity.
We have come to the point that the one who collects the most number of examinations, that can be an ordained whore, becomes the highest level of the world.
So What did Jacques do to us?
We questioned everything that was in our tradition. Not only folklore, tradition, the fact that we are the land of those who fought at CER, liberated Kosovo in 1912, those who bled in two anti-fascist movements. We have come to the point that our main view of fiction is not one great writer. Since the creation of pink and giving a chance to Jax, who is on his way to becoming Saint Jax, much has been done to degrade the man who goes with the technological progress that he abused for selfish reasons.
Source: So What did Jacques do to us? / Spark (iskra.co)
Photo title: New.Rs
14. October 2024.